The last strike brought us some really fantastic content, such as Dr Horribles Sing-a-long Blog and The Guild. I imagine we’ll see a resurgence of creator-driven projects that are directly supported by audiences.
In today’s world with tools like Patreon available, I suspect writers and actors can invent income streams outside of the Hollywood studio complex.
The last strike brought us some really fantastic content, such as Dr Horribles Sing-a-long Blog and The Guild. I imagine we’ll see a resurgence of creator-driven projects that are directly supported by audiences.
In today’s world with tools like Patreon available, I suspect writers and actors can invent income streams outside of the Hollywood studio complex.
So far, of creators I follow, it’s brought BriTANick to patreon and making regular online content again, so that’s nice (for us).
The definitely not very problematic Dr Horrible. I look forward to what we get to consume then realize is fucked up in a year or two.
What’s wrong with it? (I’ve never seen it)
I’m gonna guess their problem is with the co-creator, Joss Whedon.
The message also isn’t great in hindsight (very pre-incel incel vibe) and Penny as a character has very little agency.
The songs are fun though.