As one who played every Dragon Age game, this expresses much of how I feel as well.

After such a long wait I wanted another Origins or Inquisition, but I got something else and it was a fine, forgettable, C+ entry. A game that wants you to wave a giant foam finger instead have thoughtful choices, but at least it delivered an ending.

Ya I’ll have some of that please.

Federation outsiders serving a gleaming resort planet find out their day-to-day exploits are being broadcast to the entire quadran

Ok not bad, Acapulco is a funny show about working in a resort so I can sorta imagine it in space. Not as sure about the Punkd angle, but I’m remaining optimistic.

Ooh, I see what you did there and I like it

They left out Enterprise!

Star Trek TV Series Rotten Tomatoes Ratings

Star Trek: 92% critics, N/A audience

Star Trek: The Animated Series: 94% critics, 81% audience

Star Trek: The Next Generation: 92% critics, 90% audience

Star Trek: Deep Space Nine: 91% critics, 89% audience

Star Trek: Voyager: 76% critics, 80% audience

Star Trek: Enterprise: Am I a joke to you?

Star Trek: Discovery: 91% critics, 33% audience

Star Trek: Lower Decks: 91% critics, 73% audience

Star Trek: Picard: 89% critics, 57% audience

Star Trek: Prodigy: 97% critics, 88% audience

Star Trek: Strange New Worlds: 98% critics, 79% audience

Do you hear the cry of the rope calling you to jump, calling you to glory like a Klingon?

TIL there is an action figga just for mutated Tom Paris.

Starfleet going around to other worlds to fix and moralize about other peoples’ problems, but never needing to self-reflect or improve on themselves.

There are a few PTSD episodes that at least try : Picard at the chateau and Archer on shore leave after the Xindi adventure.

I feel these are the best episodes where a character realizes they have changed and not for the better, but I wish there were more.

Maybe trek is sleeping on the post-adventure recontextualization power of a shore leave coda?

You have 2 main characters to follow and it’s absolutely different based on your age.

Very similar experience with Cars 3. Children identify with the new up-and-comer race car while grownups identify with a Lightning McQueen who must accept his glory days are past and embrace the next generation.

Shoutout for the race announcer who drops a microcosm of the whole film in a single line:

McQueen’s fading! Fading fast!

Children, we ride for stovokor

So ultimately, I feel like what we’re saying is that in order for Starfleet and that beautiful vision that Roddenberry had of this optimistic utopia, in order for that vision to exist, in order for the light to exist, you need people who operate in the shadows. And it’s a yin and yang. You can’t have one without the other.

I don’t like this sort of mother-goosery in my fully automated luxury gay space communism.

I prefer the assimilating power of root beer as the true defender of the federation.

Ya that episode is great. It lurked in the back of my mind every episode afterward, always hoping to hear any sort of throwaway line about the fate of that ship.

I stared at this so long I was late for my meeting

Haha yes, thanks. The power of a traumatic episode huh?

Wow good guess, so it’s 3 songs then. Those 2 plus particle man.

As I stare at this meme, bewildered, I realize I am only a dilettante that knows 2 songs 🤣😆

If we’re going to take that last shot literally, Baraam is warp-capable

Wow. Turns out I walked away after “Your Mama IV” and completely missed this final shot of the space station going to warp.

Thanks, I hate it.

I think mirror Burnham and Lorka tried to depose her way back in Disco S1, but maybe I am misremembering.

I’m hung up on how utterly ridiculous the succession was portrayed.

I like Star Trek and I’m trying to find the silver lining here, but I just come up empty handed.

I appreciate your thoughtful take. Maybe these are unavoidable contradictions when the simple premise of evil twins is stretched too far.

It’s very unsatisfying.

An empire overflowing with ambitious and unscrupulous climbers who have all decided to allow young Georgiou to have the crown.

Ya let’s make the unhinged evil empire very civil and obedient so our protagonist actually back into the throne instead of actively seizing it. How convenient.

Ultimately it feels like they want to have their cake and eat it too: Georgiou is the baddest bitch, but also she was just trying to survive man! She cried when she murdered her own family, under coercion and duress!

I guess I liked her better when she was bonafide evil.